Intervenants du colloque

Dr Angela Ndalianis Curiculum vitae
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CV
BA Hons, B Litt. Hons. (UniMelb), Dip. Hum. (La Trobe), Grad. Dip. (AFTS), PhD (UniMelb)
Senior Lecturer. Head of the Cinema Studies Program at The School of Art History, Cinema, Classics and Archaeology, University of Melbourne.

Research
Angela Ndalianis specialises in Contemporary Hollywood cinema, genre studies, the history of optical entertainment technologies, and the convergence of popular forms such as films, computer games, comic books and theme park spaces in her research and teaching.
Her PhD was on the neo-baroque, and investigated the transitional nature of contemporary culture (as manifested in entertainment spectacle) and C17th baroque art and culture.
Her research focuses on contemporary cinema and new entertainment media. She is especially interested in exploring the parallels between baroque technologies and media of the 17th century and our current neo-baroque media forms such as theme park architectures and technologies, digital media and computer game theory and practice. She is a keen advocate of thoroughly researching the media she writes about -which means many hours of escape on rides, computer games and in the cinema.

Publications

• Architectures of the Senses: Neo-Baroque Entertainment Spectacles [Aesthetics of Transition, ed.s David Thorburn & Henry Jenkins, MIT Press, Massachusetts, 2003]
• Special Effects, Morphing Magic & the 90s Cinema of Attractions
• [Metamorphing:Visual Transformation and the Culture of Quick-Change. ed. Vivian Sobchack, Minnesota University Press, 2000]
• Evil will Walk Once More: Phantasmagoria ~ the Stalker Film as Interactive Movie? [On a Silver Platter: CD-Roms and the Promises of a New Technology, ed. Greg Smith, New York, New York University Press, 1999]
• The Rules of the Game ~ EVIL DEAD II... MEET THY DOOM Hop on Pop: the Politics and Pleasures of Popular Cultures, ed.s Henry Jenkins, Tara McPherson, Jane Shattuc, Durham, NC: Duke University Press, 2003]
• Digital Stars in Our Eyes Stars in Our Eyes - the Star Phenomenon in the Contemporary Era, Ed.s Angela Ndalianis and Charlotte Henry, Praeger Publishing, Connecticut, 2002]
• The Frenzy of the Visible: Spectacle and Motion in the Era of the Digital at Senses of Cinema: An online film journal devoted to the serious and eclectic discussion of cinema, http://www.sensesofcinema.com
• Paul Verhoeven and his hollow men at Screening the Past: An international, refereed, electronic journal of visual media and history, http://www.latrobe.edu.au/screeningthepast/ Uploaded 1 December 2001
• Baroque Perceptual Regimes [paper given at the Special Effects/Special Affects:Technologies of the Screen symposium held at the University of Melbourne, 25 March 2000] at Senses of Cinema: An online film journal devoted to the serious and eclectic discussion of cinema, http://www.sensesofcinema.com
• Her book Neo-Baroque Aesthetics and Contemporary Entertainment Media (The MIT Press) will be available in 2003.

Courses

• Introduction to Hollywood and Art Cinemas
• The Entertainment Experience
• Genre Study
• Game Studies
• Contemporary Hollywood Cinema
• Spectacle Spaces: from Museums to Theme Parks (overseas course)
• Contemporary Film Theory
• Comedy, Cult & Carnivalesque
• Computer Games: Interactive Spectatorships

Angela Ndalianis
Associate Professor
Head of Cinema Studies
School of Art History, Cinema, Classics and Archaeology
University of Melbourne
Victoria, Australia 3010
angelan@unimelb.edu.au
61-3-8344 5565